janestarz: (Default)
In my quest for new basic blocks I had decided to sew myself a new coat for Emphebion. This way I could test my new basic block for a fitted coat. By now I've realised the head of my shoulder and the top of my arm is rotated forward roughly 1 inch or 2,5 cm from where you draft it standard. So my back panel has a very horizontal shoulder line, because it needs to reach forward quite a bit, and the front panel has a very steep slant.
But how does that work if you use shoulder pads? Because they flatten out the curve of the shoulder and might compensate for the offset.

So I didn't fix my wonky shoulder in the pattern, grabbed a coat design from my sketch book, picked a thin blue wool that matched my dress colours, and just went for it. I paired this kobalt blue with a deep brown fake teddybear fur. It's not the best colour for me but it looks lovely with the blue.
Yesterday my Plan-B neighbour shot a few snaps in the hallway, so I've got official "finished!" pictures. They're not very good thanks to the LED lighting. I'm also not very happy with the hem, as the interfacing overpowers the drape of the thin wool. But the stiffness of the hem will not be visible over two wide medieval dresses, so that's fine. And I'll get better pictures in Octobre at the shoot, I hope.

Details:
- Fitted coat with tulip collar
- Two-part sleeve with split at the end, fur edging at hem and split
- Pocket with fur edge
- Calf-length (80 cm from waist, I'm taller than most people so 70 cm for normal-sized humans)
- Wadded baby-blue lining (use what you have)
- Fake fur facing at neckline and collar.

Nieuw model jas: SofiaNieuw model jas - Sofia


Including frazzled hair and everything!
Vera said this was a real "Annet-coat" and I agree. The squared corners at the sleeve in the fur and the wool were quite a challenge, but everything worked out fine (good tools make difficult techniques a lot easier to do!)

I think it's safe to say the pattern block is perfect. I can now finally get started on my summer coat in Vlisco fabric, that's been lying in wait for three years now.
janestarz: (Default)
Yesterday I spent a lot of time drafting patterns. I've finished two orders recently, so it's time to get started on the next one. I've not been looking forward to it, mostly because I wasn't quite clear if the image I was forming in my head was the same my customer has, which makes pattern drafting an exercise in denying all the self-doubt. The front closure cost me extra brain CPUs because I redid it several times.

("Normaal gesproken" teken je 7 centimeter overslag aan voor een dubbele knoopsluiting. Maar is dat wel mooi voor een grotere maat? De knopen moeten wel een beetje bij het bustepunt in de buurt komen anders heb je een hele smalle dubbele rij knopen en een enorm lijf wat ernaast nog enormer lijkt. En dit is voor een very curvy maat 46 met scheve taillelijn, dus uitdagingen genoeg!)

I also tackled two basic blocks I've been wanting to draw for a while now, filled out the lists and everything. This was (of course) what my PMS-squirrelbrain started with as soon as I came in that morning (I have NO responsibilities! Nuts! Acorns!). In short, I was pattern drafting from nine to three-thirty, standing around on my feet and crunching the numbers.
By the time I had my third "and now I need to sit down for a bit" break, I wanted to do something fun. The pattern for my customer's coat was done, but starting on it meant having to pre-shrink the fabric and a lot of standing around. So I decided to just make myself a fun t-shirt top instead.
Which, of course, involved more pattern wrestling.

First I drafted a new basic T-shirt block. Then I started to doubt the shoulder line -- my last t-shirt block is now hideously too large in the bust, which involves the armscye, which you can't easily take in because then the sleeve has to come out, and....argh.
But my new basic t-shirt block does not have the adjustments for my wonkily rotated shoulder joint, or the adjusted shoulder seam. I tried copying the line from my old block, but since the waistline is higher up than last time (we measured it on the natural waist this time), and my bust has shrunk, my shoulder is now closer to my waist than before (less curvature to go over). So the waistline is higher up and my shoulder is further down. There's no telling how my shoulder should slope unless I make another muslin.

I didn't feel like working on a bustier (too much pattern drafting for something I might not wear a lot) so instead I picked up the only copy of Knipmode I currently have at the atelier, picked a stretchy top with an interestingly shaped hem, and was pleasantly surprised to be able to fit a size 44. It's the top from the cover of the november 2015 issue.
So more pattern drafting and standing on my feet. Luckily, I only have to correct the length of the garment as my back is 3 cm longer than other people's, so I added these in the waist. I also dropped the front neckline 3 centimeters. No fiddling with the armscye here!

Except that the sleeve looked rather 'formal' -- a high sleeve head, nothing like what you'd expect from a t-shirt. And indeed, as soon as the side seams were done I tried it on. For one, the shirt is rather large -- I suspect that was the design of the shirt. And the sleeve is indeed very formal.
So I threw it down in disgust and went home. Mission failed.

At the end of the night I browsed my old Burda magazines and picked out several models of t-shirts I want to try my hand at. Now that I've lost weight, I'm slowly getting back to more normal proportions and all I have to do to fit Burda sizes is lengthen the nape-of-neck to back-waist measurement. I might even get to re-use the top I tried making yesterday if I find a more fitted t-shirt and re-use the neckline.

In any case, today I will start on that coat. T-shirts will come another time.

Stuff done

May. 25th, 2016 11:14 am
janestarz: (Default)
Yesterday I procrastinated. But I also worked on my blazer pattern. At some point I had to tell my muse to stfu, as she was nudging me to make a test-blazer out of some poly-silk blend I had lying around, because it would be glorious and pretty and I could check the fit before making the tweed blazer for a grade.
So we didn't do that.
I did pre-wash my blazer fabrics - the tweed one survived a 40°C wash, and the blue stretch linen for the exams survived the washing machine without becoming a hot wrinkly mess. I hung it over the bathroom door and shower cabin overnight to dry.

The blazer pattern is mostly done now, so the teacher can check my collar and armscye and sleeve adjustments. It's totally crazy that just by adjusting the armscye depth my sleeve overwidth dropped from 10.5% to 6-and-a-bit. Because the adjustment means you also adjust the sleeve head, but apparantly not as much as the armscye. And 10% overwidth boils down to some 6 centimeters in my size, so if you reduce that to 4 centimeters, you drop a lot of percent. But still. Crazy shit!

This morning I was determined to do the jeans pattern, and it's just so much fun! I've drafted in the front seams based on the inspiration picture and then proceeded to match those to the back leg and continue in a nice form so no weird angles appear. It means the front will have sort of egg-shaped convex panels, and the back will have concave panels pointing to the back of the knee. So awesome! I hope it all works out the way I planned it.
I have three different kinds of pockets in the trousers, because that's what looks good and is also in the inspiration picture. There's a stitched-on pocket with flap on the outside leg (opgestikte zak met klep), a regular trouser pocket at the waistline (steekzak), and a welt pocket with flap on the butt (éénzijdige paspelzak met klep). Good stuff to practice, with the exams coming up. I will use snaps to close the flaps, and use a snap on center-front as well as the hook and eye we're supposed to use.

Next up: tracing the jeans pattern pieces and start cutting!
janestarz: (Default)
First things first: I handed in the dress shirt yesterday. The teacher said "Mooi strak hoor!" -- which roughly translates to "nice and tight!". Looking at the pictures this morning, I have to agree with her.

Overhemd-2

A full-length one under this cut )


Eisirt asked me if I was satisifed. This, after sewing frantically and in a very focused manner for a week or so. And the perfectionist in me says: Yes.
I made mistakes and I learned things, and how not, when this is a school assignment. I'd do things differently for a next version! But this shirt is a good representation of my current skills. I don't have a knack for a couture sleeve split yet, this was the first one I sewed. I also had a hell of a time trying to get the interfacing to stay put, as the glue didn't fixate at all, and my interfacing came loose as I turned collar or cuff. Luckily, everything is sewed down, and none of it shows. It's a beautiful shirt, and I'd even call it a dress shirt because of the contrast collar and cuffs.

Then, on to the other assignments!

Blazer
I'd drafted a one-piece blazer sleeve (to be divided into two pieces, later on) and it was alright. The sleeve head has 10% overwidth, so that's a lot. I have to reduce it, but first I need to deepen the armscye a bit, which will help (it will make the armscye larger, but the sleeve head will not quite grow as much).
I've also made a start on the actual pattern, but didn't get around to drafting the collar. (I wanted a few hours of weekend.)

Now I can do the sleeve alteration, draft the collar and pre-wash my fabrics. I have to decide at some point whether I just want the collar and elbow patches in darker grey suedine, or the pocket flaps as well. I'm unsure yet, we'll see.

Trousers
All my alterations were approved! The jeans crotch seam is just so much tighter than the trouser crotch and it turns out you can use one on the other (to a degree). I managed the waistband alteration quite well and I'm very happy I can start on the pattern. I'd planned to spend this week on the jeans, so I'm right on time. Four weeks to go for two more assignments.

Studying
In previous years we hardly got around to studying the theory for the exams, because of the last minute panic on handing in the assignments (not handing in the assignments means not participating in the exams!). But there's also a test next Monday on the fitted coats and the blazers, so I do want to spend some time with my nose in the books.

I'd hate to sound like a nerd perfectionist, but I am one. So far all my grades have been an 8 or higher, so graduating with an 8,5 seems feasible. Wouldn't that be wonderful?
Since I'm working full-time on school now, and everything seems to be going well (touch wood!) I am sure hoping I can keep this up. So looking forward to sewing the hunky-dory pants! Awesome!
janestarz: (Default)
Muze heeft altijd gelijk. Daarom is ze zowel de muze van komedie én tragedie.
Muze zegt: je kunt best een nieuwe pantalon grondvorm tekenen. Je hebt nog het hele weekend. En dan kan José hem prima maandag nakijken.
Muze gaat door: En als dat klaar is, en je kunt niet verder, dan teken je vast je colbertpatroon. Dan kan José die maandag ook nakijken.
Muze heeft altijd gelijk. En dit is zo'n beetje de eerste keer ooit dat ik zin heb in het patroonworstelgedeelte van het proces, dus ik ga het maar doen ook. Ik kan altijd nog die bandplooibroek maken als het allemaal niet werkt. En dat weet ik zo snel ik de jeansgrondvorm heb getekend. Dus in het ergste geval loop ik een uur vertraging op.


Edit: In twee-en-een-half uur van niks naar een proefmodel. Dat is vast een nieuw record!

muslin
(klik voor groter!)

Deze foto is van het proefmodel met de strakke broek van Eisirt eroverheen gelegd, allebei op dezelfde manier gevouwen. De kont is vrijwel even groot, maar het verschil in bovenbeenomvang is echt enorm! Eisirt klaagt ook altijd dat deze jeans veel te strak is op het bovenbeen.
Ik hoop dat José het eens is met de tailleband-aanpassingen die ik gedaan heb en dat ik verder mag werken met deze grondvorm. Maar eers vanavond maar eens kijken hoe het proefmodel zit bij Eisirt.
janestarz: (Default)
Some days I face some pretty unique pattern drafting challenges. Like when your cat is insistent on making your basic shirt block her new hiding place:

Patroontekenen
janestarz: (Default)
Of these things happy memories are made:
- A warm windowsill
- The empty block on fresh pattern paper, ready for your design
- A kitty overseeing all with a warm butt from aforementioned windowsill.

Pattern drafting


Once I had the basic block done, the pattern was done in an hour! I can't believe how simple this turns out to be...and a little fearful that it isn't. Perhaps making the hard design choices on a copy of the ¼ scale pattern helps with the final full-scale pattern.
I'm going to make a muslin of the design to see if I can do the pleats in the back the way I want to, and fit the coat on my stepdad before drawing the lining.
To be continued...
janestarz: (Default)
And here it is: my whopping pile of a pattern. I spent most of my week tracing all these parts.

01_Patroon1

This is everything but the sleeves. As you can see, I made a list of the pattern pieces and ticked off the pattern parts I had traced. It helped me keep track of which parts I still had to do and where I could find them. I could also number the pattern pieces right away. I wrote down a lot of notes on the pieces themselves, most are pretty ambiguous. It's hard to tell the difference between a flared vertical seam and a side seam if you cut off the part above the waistline.

I still need to do the sleeves, but those only have minor alterations and will only be 4 pattern pieces to trace.
Here's to hoping having the seam allowances drafted on my pattern pieces will save me a lot of time cutting!
janestarz: (Default)
Well, the good news is I also get to work on Thursday. This is nice, because it brings in some extra money. It will make my week even more busy though.

The other good news is that I found the scraps of linen from my gambeson, so I might not need to cannibalise the haori. Instead, I might only have to redo the trim on the haori, if I can make do with the scraps in order to lengthen the gambeson.
I might want to buy fabrics for a new overcoat regardless. Tha Bling* must be covered somewhat or forsake camouflage altogether. As it is, I'm the one that stands out in the group, and even though as the Autherdir, I'm allowed, it still looks rather weird. What I would like to do is a coat in several colours of linen, that all match my gambeson (so that would be green and gold and maybe a third colour in between?) that swirl as I move.

As it is, I can't wrap my head around lengthening the gambeson at this moment, so I'm going to not even try that until we return from Basel. Too much going on at the same time. Still, I made great progress on the costume for our Avatar this weekend and am eager to finish the dress. It's going to be so darn pretty and I can't wait to show it off.

Homework status: need to show two different seam types to Helen tonight and when we decide which one I'll use, I can sew the skirt together. This means I will finally learn how to insert a zipper the proper way. It also implies tomorrow after work I'll be sewing on my homework.
(Actually, now that I know what my hip height is, I'm tempted to sew another one of these skirts. I have a red poly-taffeta that needs to be killed. However, a black skirt might be more prudent, although I am fast shrinking back into the size of the two I already have.)

As I was searching for my gambeson pattern and accompanying quilt pattern I used on the gambeson, I found a pile of plastic folders with patterns in it. Several from previous customers, several from NoKey. The latter ones I put into a hanging folder quickly labeled "NoKey", but I need a way to store the former. Right now I'm using a regular binder for my patterns but with only four customers in there I can already tell it's going to be very full very soon. I am going to need to figure out a new filing system for these custom-made patterns.

For the Avatarin, I am already having trouble keeping her basic block in the binder, so I'm not even trying and have put it on the table. Once I get vexed with it being there, I will need to have my new system.
Currently I am considering giving each of my customers their own hanging folder, in which I can store their basic block patterns (they can have up to three basic blocks, depending on the garments they order) and any garment patterns I create from them. This is more prudent for people ordering multiple costumes from me. The avatar already has one large basic block pattern and two garments each in their own clear plastic folder. Other people might only order one simple blouse and do not necessarily need their own hanging folder.
I might also need to label the basic block patterns with an identifying number so I can always tell what garment was made from which basic block.

What do you think?

For myself, I am currently saving the patterns that work really well in a separate place so they don't get mixed with the patterns that were created from burda patterns and older drafts. I'll also have to keep track of which measurements were used for the patterns but I always glue a list of the sizes onto the basic block I draft from them. This gets more important as I continue to lose weight (500 grams is still losing weight, right?)

-----
*) "Tha Bling" also known as "the Captain's Bling", a.k.a. Project Elf Chain.
janestarz: (Default)
Next week around this time I'll be hip-deep in my pattern drafting exam. So I suppose it's time I get started on my exam training. I've been a good girl and haven't missed any lessons anymore since that time there was a snowfall and the NS was panicking. I have also made my homework each week and I feel that this has really helped. I could explain the theory behind raglan sleeves, sleeves that are cut in one with the body and other things clearly to Jeske when she was here.

Teacher Helen, from my practical class, said it would be good if I copied the basic gown block several times and just practiced designing, designing, designing. This is a very good tip! I wonder how many times I'd just draft my own basic gown before figuring out I could just make copies.

- Practicing basic gown block in 2 or 3 sizes.
- Deviations: VOG, AOG, high/low shoulders, flat/full tummy, flat/full backside, long front waist length and large bosom.
- Sleevils. Drafting them and placing them onto the basic gown block for raglans.
- Collars.

I am also still struggling with pleats (where to get the fabric!?), so I'll work on some of the more difficult homework assignments we've had recently again, try and see if I can remember what we did to do them and how to work with them. I can check my results with the hand-out of the pattern, yay!

In other news: Swordfighting practice was tough yesterday. My back was still in a knot from school, where I was bent forward over a table that is too low for me, pinning and chalking and cutting a pattern. Carrying and fighting with a shield is hard if you have to do it two hours in a row, but more so if your back is already complaining. I also got whacked on the thumb by one of our resident Belgians.

We now have learned the four ... kata's? ... for sword and shield. I must say my wrist needs to seriously toughen up for that fehler but I think the hardest is not to look like a total ballerina in the second series the wechselschlag in the fourth series. Ah, so many muscles to train, so little time!
janestarz: (Default)
Here's what we're supposed to draft a pattern for:

When this was handed out I already knew it would give me headaches. The thing is a monster. My analysis:
  • It's a dress with a very narrow skirt. We were told not to take out more than 1 cm at the bottom.
  • There's a seam at the waist, but it doesn't go all the way to center front.
  • The buttonhole strip is cut into one piece with the skirt
  • The top looks to have two pleats
  • The skirt part has one dart (outside) and a pleat (near center front).
  • The skirt is cut on the fold... but the buttonhole strip makes this nigh impossible.
  • The sleeve is cut in one with the bodice in the front.

    The tricky part is not so much the pleats in the bodice or the kimono sleeve cut in one with the bodice. I actually got the top darts in pretty easily. The vertical dart coming from the underbust seam is easy enough as well.
    No, what I don't understand about this homework is where to get the fabric from the pleat (or drape, it's the same word in Dutch) under the buttonhole strip.

    What I *think* happens is that the front skirt is cut on the fold, and the thing angles off, fans out away from the fold, to create room for that pleat and the buttonhole strip at the front. You can't cut a front opening on a fold. There's just no room. So I probably need to open up the dart far enough to be able to cut the buttonhole strip next to the fold. This might (will) also make the skirt smaller at the bottom.

    Just a wild guess, of course, but we'll find out how it will be next week.
    Whoever said you didn't need any 3D insight to be able to finish this study is lying through his teeth.
  • janestarz: (Default)
    Last night I was still dead tired from &Eva but I dragged myself to school anyway. It wasn't wholly in vain despite my lack of enthusiasm because we learned something I'd wanted to learn for a while: patterns with a drape.

    I had read in Detje Bosgra's book (thank you again, [livejournal.com profile] anemoona!) that you can fold out your darts to create a drape in your pattern, but I'd never done this before. I was very interested to lear it, but had not yet taken the time. When Hanny said last night "we'll work on an asymmetrical pattern" it caught my interest to be sure, but I'd never expected that it would include draping.

    The trick to it is in part that you're allowed to move the bust point a bit. Normally this is no more than 2 cm, but when making a drape or pleated bit it can move as much as four centimeters, because the garment will not be as fitted as other garments might be. On the right half of the pattern, we created two bust points, even. One was 4 cm above the old bust point and allowed us to rotate the top dart closed so the first drape would open up. The other one was 4 cm below the old bust point and allowed us to rotate the bottom dart closed so the second drape would open up.
    It sounds pretty complicated, and it is. When we had drawn all the design lines into the pattern, I had no idea how to make the pattern pieces from it, but once we got started I got the gist of it pretty soon. It certainly opens up possibilities and I haven't forgotten my promise to myself about that drape-y heavy linen at the market.

    Hanny also warned us. It's seven weeks until the exam, and we're going to be working towards the exam from now on. We've pretty much covered all the basic pattern making so far, so it's just repetition, new interpretations of new line drawings of different garments and exercising to keep focus. We're supposed to make 2 pieces of homework now, each week. One coat and one gown at half scale. And we're going to be working through them every week, so we understand why certain things are done a certain way. She will only be looking at the collars and the basic block, and the rest will be discussed in the lessons.
    It's a pretty rigid schedule, but it's all for the best. The exam is going to take most of the day on April 20th, and we need to be able to keep our focus.
    janestarz: (Default)
    Part 1 can be found here.

    Due to circumstances, this part took me longer to finish than expected. But the third mock-up, which is a wearable costume part in itself, is now done. The other good news is that I won't have to finish the actual fitted gown by the end of February. My deadline is now the end of April, allowing for other sewing projects to take precedence.

    All that good news is balanced out by some bad news, but I'll get to that later. Follow me behind the cut and sing it with me: Plaid Is Rad! )

    Cross-posted to [livejournal.com profile] dressdiaries
    janestarz: (Default)
    Welcome to my newest Dress Diary! Of course, as usual, the start of this dress diary was preceded by a long, rambling post discussing a variety of topics because I wasn't quite sure what I wanted to do. It included the whole history of my lovely purple lambswool dress, which was a previous dress diary in itself. I shall not be repeating the ramblings here, but you're welcome to read them through the above link if you wish.

    The shape of things to come )

    Your comments are very welcome!

    x-posted to [livejournal.com profile] dressdiaries
    janestarz: (Default)
    Last few weeks in school we were focusing on adapting your design for big-busted women. "Hurrah!" I thought; "We're finally getting to the really tough stuff!"

    But then I sighed. Hadn't I just drafted myself two basic blocks, one with the ease for a gown, and one with the ease for a blouse or vest? Had I not tried really hard to get these done so I could design myself stuff?

    With courage afresh did I start to draft the new type of basic block this morning. I calculated the bust width according to the desired ease, and then compared first and second bust width with one another. One is measured over the chest, one is measured over the breasts. If the difference between these is bigger than 6 cm, you should draft a different kind of basic block. This is to accomodate for the huge tracts of land slope of the boob.

    More than six? I had double that! Ample reason for me to draft anew.
    To figure out how much extra space to give the chest, you also have to compare armscye depth with bust depth (measured from the back of the neck, over the shoulder). You then take the first difference, subtract the second difference and get the amount you should add.

    Hm. I had 11. So 12-11 = 1 cm extra width needed in the front of the pattern. That's half a centimeter over half a pattern.
    That's hardly worth redrafting the pattern for!

    Instead of redrafting my basic block, I just made some design alterations on the copy I made for Lena's dress, and set out to draft the sleeve I wanted.

    I'll probably redo the basic block later in the year. But still. One measly centimeter!

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